Shanker Raman’s first film as director – after stacking up several acclaimed credits as a cinematographer – is a visual treat. That is, if a relentlessly grim King Lear-esque account of an imploding family can be described as such. Vivek Shah’s outstanding cinematography in Gurgaon conjures up a sepulchral world in blacks, browns and greys. Like Raman’s script, which has been written by the director and three collaborators, Shah’s camera […]